Reviews ‘The production of this valuable addition to the library of the silver addict is of exceptional quality. Silver is notoriously difficult to reproduce convincingly and the lifelikeness of the illustrations which truly ‘leap from the page’, is a tribute to the photographers and production team alike. The well-illustrated personal history of many of the original owners of the pieces contributes much to their background and paints the wealth and splendour of one of the greatest periods in the production of English silver in which the immigrants contributed so much. A volume to be treasured indeed.’ Arthur Grimwade Huguenot Society ‘As an exhibition catalogue, The Huguenot Legacy is enormously detailed in augmenting our understanding of the effect of the Huguenot ’conquest’ (particularly in the field of silver) ... it [also] proclaims the remarkable collection put together by Alan and Simone Hartman in the relatively short space of fifteen years. Theirs is the only such assembled collection, other than the earlier Wilding Bequest ... that seeks specifically  to define the parameters of Huguenot silver in England.’ Jolyon Warwick James Silver Magazine ‘Hartop shows how Londoners’ fascination with all things Continental paved the way for the innovations of the English rococo. He brings to life the interdependent web of modelers, chasers, casters, engravers, finishers, and retailers who contributed to the finished product. Of great significance is Hartop’s explanation that the maker’s mark that appears on important commissions is no indication of authorship because of the intricate web of specialists at work in London.’ Maine Antique Digest ‘Unlike many silver exhibitions, this one is less concerned with who made the objects and how valuable they are. Instead, it documents the development of the English obsession with French taste and how the influence of artisans trained for the French court made it possible for British nobility to realize their ambitions.’ Paula Deitz The New York Times

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