Japonisme
and Architecture
in France, 1550–1930

Edited by Jean-Sébastien Cluzel
Translated from the French by
John Adamson



Summary

Full description

Contents

Contributors

Enquiries

How to order

Published by
 
19 August 2022
 

400 pp.
more than 500 illustrations in colour
111/4 × 81/2 in.  (285 × 215 mm)

ISBN
978-2-87844-307-3
paperback with French flaps
€69.00




Obtainable from any good bookseller or from:
 

éditions Faton
Beaux Livres
25 rue Berbisey - CS 71769
21017 Dijon cedex
FRANCE


Summary

This book sheds light on the genesis of Japonisme in architecture in France. This movement, which reached its heyday in the late nineteenth century, grew out of a fascination in the West for things Japanese that developed from the sixteenth century onwards and gave rise to an architecture of Japanese inspiration in Europe and the United States. The most famous early examples in France of buildings of Japanese construction or influence are examined in detail and set in a broader Western context.

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Full description

Is Japonisme also a history of architecture? In this book, the authors lay bare the origins of the taste for Japanese architecture in the West. Born long before what French nineteenth-century art critics called Japonisme, this taste can be detected in a wealth of objects: screens, porcelain, lacquer-work, woodcuts, photographs, as well as in interior decoration and garden pavilions.

With more than 500 illustrations in colour, this handsome book presents noteworthy historical and archaeological studies of the best-known buildings from the heyday of Japonisme: the pavilions at the Paris Universal Exhibitions between 1867 and 1900; the first Japanese house built in France (1886); the Salle de fêtes, a function room on the rue de Babylone in Paris known today as the cinéma La Pagode (1896); the follies in Albert Kahn’s Japanese garden at Boulogne-Billancourt (1897); and the Stork Chamber, an exhibition set salvaged by Émile Guimet in 1911.

These investigations reveal an interplay in artistic output between Japan and France that is essential to an understanding of those Japanese spaces held in such high regard by Westerners. Leafing through the book, the reader is left in no doubt about the emergence in architecture of a stately expression of Japonisme.

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Contents

Prologue
Jean-Sébastien Cluzel

GENESIS: BEFORE 1854

Before 1854
Back to the origins of Japonisme in architecture
Jean-Sébastien Cluzel

FIRST SEMIOPHORES FROM JAPAN

Paper castles
Two screens known in Europe at the turn of the sixteenth century
Ilaria Andreoli

Architecture as depicted on lacquer from the Edo period
Geneviève Lacambre

The reception of Japanese architecture in France
in the seventeenth and eighteenth centuries
An impossible meeting
Stéphane Castelluccio

HEYDAY: 1834–1914

1834–1914
A period to be considered
Jean-Sébastien Cluzel

EXHIBITING JAPAN: FROM MINIATURES TO MONUMENTS

The Paris Universal Exhibitions, 1867–1900
Windows onto Japan
Christiane Demeulenaere-Douyère (featured topics: J.-S. Cluzel)

Models of Japanese Architecture, 1840–1937
The collection at the musée du Quai Branly
Jean-Sébastien Cluzel, Marion Gautier and Nishida Masatsugu

Charles Garnier
Japan in The History of Human Dwellings
Universal Exhibition of 1889 in Paris
Marie-Laure Crosnier Leconte

Alexandre Marcel
The Pagoda, a Japanese salle de fêtes (1896) –
Archaeology of an avant-garde building
Jean-Sébastien Cluzel, Angélique Saadoun, Hironaga Kōsuke
Nishida Masatsugu, Grégory Chaumet and Rémi Brageu

Alexandre Marcel
The Japanese Tower and the Chinese Pavilion in Brussels –
The story of a construction (1901–9)
Chantal Kozyreff

Émile Guimet
Flight of the storks: Kyoto, London, Paris, Lyons (1910–2016)
Sébastien Cluzel, Agnès Latour Kurashige, Nishida Masatsugu,
Yagasaki Zentarō, Grégory Chaumet and Camilla Cannoni

RELIVING JAPAN: ARCHITECTURE AND LANDSCAPE

Hugues Krafft
The plan of the house at Midori no Sato drawn by Félix Régamey
Omoto Keiko (featured topic: Yagasaki Zentarō and Nishida Masatsugu)

Hata Wasuke
An artistic Japanese gardener in France
Suzuki Junji

A few introductory words about Albert Kahn’s garden
Christian Lemoing

Albert Kahn
Japanese pavilions and gardens – Boulogne, 1897–2017
Jean-Sébastien Cluzel

Albert Kahn
A perfect illusion of Japan
Sigolène Tivolle

Albert Kahn
Archaeology of a Japanese legacy
Jean-Sébastien Cluzel, Agnèès & Guy Latour Kurashige, Yagasaki Zentarō
Nishida Masatsugu, Shibukawa Yoshikazu, Catherine Lavier, Muriel Bordessoulles Elsa Van Elslande, Laurence de Viguerie, Grégory Chaumet and Rémi Brageu

OVERTURES

Albert Carré
‘A journey from the place Favart to Japan’
The production of Madame Butterfly at the Opéra-Comique (1906)
Michela Niccolai

Photography
A new way of presenting Japanese architecture in the nineteenth century
Cecile Laly

Pierre Loti
The Japanese pagoda
Romain Billon

Japanese beauties
Houses of ill fame at the dawn of the twentieth century
Marion Di Santi and Jean-Sébastien Cluzel

Japanese architecture in guidebooks before 1925
Ready for an authentic journey?
Hélène Morlier

Nakamura Jumpei
The first Japanese architect to graduate from the École des beaux-arts in Paris
Yoshida Koichi

Epilogue
Jean-Sébastien Cluzel

Bibliography

Index

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Contributors

Ilaria ANDREOLI
Doctor in history of modern art, ITEM,
CNRS – Fondazione Giorgio Cini, Venice

Romain BILLON
Gardener and lecturer, Albert Kahn Garden,
Department of the Hauts-de-Seine

Muriel BORDESSOULLES
Student, master’s course 2 in art history and archaeology,
Faculty of Arts and Humanities, Sorbonne University

Rémi BRAGEU
Research officer, UMR 8220,
CNRS – Sorbonne University

Camilla CANNONI
Doctoral research fellow, Faculty of Arts and Humanities, Sorbonne University

Stéphane CASTELLUCCIO
HDR Research Fellow, CNRS – Centre André- Chastel, UMR 8150

Grégory CHAUMET
Research officer, Plemo 3D, Sorbonne University.

Jean-Sébastien CLUZEL
Associate professor, Faculty of Arts and Humanities, Sorbonne University

Marie-Laure CROSNIER LECONTE
Honorary head conservator of heritage

Christiane DEMEULENAERE-DOUYÈRE
Honorary general conservator of heritage, corresponding member of the Centre Alexandre-Koyré, CNRS-EHESS-MNHN, Paris

Laurence DE VIGUERIE
Research fellow, UMR 8220, CNRS – Sorbonne University

Marion DI SANTI
Student, master’s course 2 in art history and archaeology, Faculty of Arts and Humanities, Sorbonne University

Marion GAUTIER
Student, master’s course 2 in art history and archaeology, Faculty of Arts and Humanities, Sorbonne University.

Chantal KOZYREFF
Honorary conservator of the Far Eastern collections at the Musées royaux d’art et d’histoire, Brussels.

HIRONAGA Kōsuke
Student, master’s course 2 in the history of architecture, Kyoto Institute of Technology

Geneviève LACAMBRE
Honorary general curator of heritage, head of mission at the Musée d’Orsay

Agnès LATOUR KURASHIGE
Architect DPLG

Guy LATOUR KURASHIGE
Architect DPLG

Cecile LALY
Doctor of art history, Faculty of Arts and Humanities, Sorbonne University.

Catherine LAVIER
Researcher in archaeodendrometry, Research and restoration centre for French museums (C2RMF), head office for heritage, Ministry of Culture

Hélène MORLIER
Research engineer and doctoral student at EHESS, CETOBaC (CNRS, EHESS, Collège de France)

Michela NICCOLAI
Doctor of music and musicology, associate member of IHRIM – Lyon 2

NISHIDA Masatsugu
Professor, Kyoto Institute of Technology

OMOTO Keiko
Former librarian of the Japanese collection, Musée national des arts asiatiques – Guimet

Angélique SAADOUN
Student, master’s course 2 in art history and archaeology, Faculty of Arts and Humanities, Sorbonne University

SHIBUKAWA Yoshikazu
Master carpenter

SUZUKI Junji
Emeritus professor, Keio University

Sigolène TIVOLLE
Head of the cultural promotion unit, Directorate for Parks, Landscapes and the Environment, Department of the Hauts-de-Seine, France

Elsa VAN ELSLANDE
Research officer, UMR 8220, CNRS – Sorbonne University

YAGASAKI Zentarō
Professor, Kyoto Institute of Technology

YOSHIDA Koichi
Emeritus university professor, Yokohama National University

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Enquiries

Contact the publishers for further information: Enquiries

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How to order the book

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